{"id":925,"date":"2017-07-11T14:07:11","date_gmt":"2017-07-11T18:07:11","guid":{"rendered":"http:\/\/blogs.hsc.edu\/international\/?p=925"},"modified":"2021-01-11T19:56:31","modified_gmt":"2021-01-11T19:56:31","slug":"japan-2017-3","status":"publish","type":"post","link":"https:\/\/blogs.hsc.edu\/international\/2017\/07\/11\/japan-2017-3\/","title":{"rendered":"Quinn Sipes: Post 3"},"content":{"rendered":"

Quinn Sipes
\nNOH Theatre
\nTokyo, Japan
\nSummer 2017<\/p>\n

\"Chanting<\/a>
Chanting Gekkyuden in seize position.<\/figcaption><\/figure>\n

Sorry for not blogging about my Japan adventure but I have been very busy with my Noh Training. For those of you who don\u2019t know why I am here in Tokyo, I am studying the traditional Japanese theatre form known as Noh theatre. The theatre form was created by Zeami in the 1300\u2019s and became big when the first Shogun was created. Most of the noh plays revolve around the Tales of Genji and many of the plays focus around a main character that is otherworldly like ghosts, demons, and gods.<\/p>\n

This theatre form focuses on the combination of singing, chanting, dancing, poetry, and instruments. All noh plays take about an hour and a half to perform even though the overall script usually is no more than 5 to 10 pages. Needless to say, noh plays move extremely slowly and the storylines are extremely tragic.<\/p>\n

I am in Tokyo studying this ancient theatre form at the youngest of the five schools of noh; Kita. By school I am referring to the style of how the Noh is performed. There are five schools Kita being the youngest and I believe Kanze being the oldest school. I am actually studying at the same school as my professor, Professor Dubroff with the same teachers that he had! I just mention his first name and everyone at the school is like, \u201cah yes! Matthew!\u201d It\u2019s kind of like he is a Rockstar or something and I am elevated by sheer association.<\/p>\n

I started my first day on Monday with 5 hours of noh. I thought I was ready for a couple of noh plays but I was sorely mistaken. The plays were sooooo sllloooowwww and I didn\u2019t understand the Japanese being spoken but I was able to follow along with an English synopsis that was provided. The first two plays were kind of boring. The first one was about a dead poet who urged a priest to sleep under a cherry blossom, and the second one was about a woman spirit asking a priest to pray for Genji and when the priest prayed for Genji the woman turned into a dragon and disappeared. The last play was by far the most interesting. It was about a demon that lived in a rock. A priest exorcised the demon from the rock and on stage the rock exploded and out came a demon and the dance that the demon did was so intense you could feel the tension in the room as the demon repented and was exorcised from the rock.<\/p>\n

<\/a>
shimai for Seiobo<\/figcaption><\/figure>\n

That was my first day along with a group meal at a restaurant near the theatre in Meguro. On the second day we wasted no time getting into the meat of noh performance. We started the day off with a greeting and sat seiza for 20 mins chanting a very celebratory song called Gekkyuden. We were then broken up into two groups to learn shimai (dance) from two different plays. I am currently learning the shimai for Seiobo. The character that does the dance is a beautiful princess…yeah imagine me as a beautiful princess if you are capable of doing that. Over the first week I learned the shimai for Seiobo pretty well and I think I am ready to learn a harder shimai but I am not the master at this and they haven\u2019t asked me to move on and they know better than I do\u2026I just hope they ask me to learn another one because I would like to challenge myself in my shimai. We also learned some hiyashi (instruments). We started off learning how to play the\u00a0\u00a0\u00a0 kotsozumi also known as a shoulder drum. The drum can make five different sounds depending on how you hold the drum. We have learned three so far known as Po, Chi, and Ta.<\/p>\n

\"Learning<\/a>
Learning kotsuzumi<\/figcaption><\/figure>\n

Out of Utai (chanting) Shimai (dancing) and Hiyashi (instruments) I enjoy shimai the most and hiyashi the least. For the most part, that happened everyday through Friday. On Friday I went into Harajuku proper and found a cheap pair of hakama (samurai pants) because I am putting together a traditional Japanese Yukata for the Atsumori play that Professor Dubroff will be putting on this coming spring semester. I also went down the busiest street in Harajuku and found the store and designer where Lady Gaga bought her outfits for her Fame Monster album. I really want to buy something from there, but I can\u2019t completely justify purchasing anything from there.<\/p>\n

\"The<\/a>
The busy street in Harajuku.<\/figcaption><\/figure>\n

On Saturday I went to the Ueno Zoo and saw my favorite animal ever; the Giant Panda. I \u00a0bought a small panda magnet for the fridge that I don\u2019t own\u2026I guess I know my next purchase before I head back to Hampden-Sydney\u2026 I went back to Harajuku and ate gyoza (pot stickers) for less than 3 dollars! I also went into Shinjuku\u2019s gay district and got to look around at all the crazy nightlife that I will probably be partaking in next weekend with some friends. I also went to the extremely sketchy area of Shinjuku known as Kabukicho it is not as sketchy as Roppongi, which I will not be going to anytime soon. I was kind of concerned about getting pick pocketed but I made it out okay.<\/p>\n

\"Giant<\/a>
Giant panda at Ueno Zoo.<\/figcaption><\/figure>\n

I am really enjoying my time here and I love the class even though sitting seiza is killing me. I hope I have some more adventures to talk about in the next week!<\/p>\n","protected":false},"excerpt":{"rendered":"

Quinn Sipes NOH Theatre Tokyo, Japan Summer 2017 Sorry for not blogging about my Japan adventure but I have been very busy with my Noh Training. For those of you who don\u2019t know why I am here in Tokyo, I am studying the traditional Japanese theatre form known as Noh theatre. The theatre form was created by Zeami in the 1300\u2019s and became big when the first Shogun was created. Most of the noh plays revolve around the Tales of Genji and many of the plays focus around a main character that is otherworldly like ghosts, demons, and gods. This […]<\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93],"tags":[40],"class_list":["post-925","post","type-post","status-publish","format-standard","hentry","category-2017-summer","tag-japan"],"_links":{"self":[{"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/posts\/925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/comments?post=925"}],"version-history":[{"count":1,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/posts\/925\/revisions"}],"predecessor-version":[{"id":2381,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/posts\/925\/revisions\/2381"}],"wp:attachment":[{"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/media?parent=925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/categories?post=925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.hsc.edu\/international\/wp-json\/wp\/v2\/tags?post=925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}